A Guide to Sketching in the Field with Robin Carlson Part 2

A Guide to Sketching in the Field with Robin Carlson Part 2

A Guide to Sketching in the Field: Examples from a Study of Wildfire

Robin Lee Carlson

A sketchbook is a matchless tool for investigating the world. Sketchbooks have been my constant companions on walks, hikes, rambles, and research throughout my life. They are how I get to know a place, how I slow down and get lost in the details in front of me, and how I build all those individual observations into a deeper understanding of the ecosystem as a whole. Come and join me for a three-part introduction to field sketching! This series will begin with a session with everything you need to know to prepare for nature journaling in the field, including tools, techniques, and reference materials. In the next session, I’ll take you on a virtual field sketching expedition, putting our observation and sketching approaches into practice. Our final session will be spent exploring ways to use what we observed in the field for further development in artistic projects. Each of the three classes will use examples and techniques drawn from my work, especially from my long-term study of fire ecology. The classes will feature demonstrations of tools and supplies along with live drawing demonstrations for you to follow along. At the end of each session, there will be time to ask questions and to share your work and insights. These workshops are intended for a broad range of experience with drawing in the field. We will discuss all the basics that a beginner needs to know to get started, but all techniques will include new ways of looking and engaging with nature, and new ways of getting the most out of your drawing tools.

A Guide to Sketching in the Field

A Field Journal Sketching Experience with Robin Carlson

Part 2: Virtual Field Trip, Sketchbook in Hand – Monday, November 18, 2024 – 7 to 8:30pm (Eastern)

Location: Online via Zoom

Cost: $30 per session

The daVinci Pursuit is pleased to welcome illustrator and author Robin Carlson to our first series of online workshops about sketching in the field. In this series of three workshops, we will combine drawing, painting, and natural science. The classes will weave scientific knowledge into accessible and engaging instruction, where students actively create stories in their own artwork.

Part 2: Virtual Field Trip, Sketchbook in Hand

Out in the field with a sketchbook, where to start? With sights, sounds, scenes, and species all around, it can be daunting to decide what to stop and examine closely. Join me on a virtual field trip to explore a nature reserve recently burned in a wildfire. We’ll talk about how I approached the burned landscape when I started my project, how I spent my time once I was in the field, and how I decided what to focus on and draw. We will draw examples of plant, animal, and fungus species that thrive after fire. As we go, we will experiment with different ways to record what we observe, to fit varying conditions and time constraints in the field.

About Robin

Robin Lee Carlson is a natural science illustrator and the author of The Cold Canyon Fire Journals. She builds careful observations of the natural world into deeper commentary on ecology and climate change, and her work centers on field sketching ecoreportage, living documentation of the ever-accelerating transformation of ecosystems by human activity. Her work has also appeared in The Common, the literary journal of Amherst College, and in Arnoldia, the magazine of the Harvard University Arboretum. She teaches online and in-person workshops that combine drawing, painting, and natural history.

Robin is one of the 2024 recipients of the Fireline Fellowship, part of the Long-Term Ecological Reflections Program in the H.J. Andrews Experimental Forest in Oregon.

https://robinleecarlson.com/
https://www.instagram.com/anthropocenesketchbook/

Made possible through the generous support of the Allen Whitehill Clowes Charitiable Foundation

A Guide to Sketching in the Field with Robin Carlson Part 1

A Guide to Sketching in the Field with Robin Carlson Part 1

A Guide to Sketching in the Field: Examples from a Study of Wildfire

Robin Lee Carlson

A sketchbook is a matchless tool for investigating the world. Sketchbooks have been my constant companions on walks, hikes, rambles, and research throughout my life. They are how I get to know a place, how I slow down and get lost in the details in front of me, and how I build all those individual observations into a deeper understanding of the ecosystem as a whole. Come and join me for a three-part introduction to field sketching! This series will begin with a session with everything you need to know to prepare for nature journaling in the field, including tools, techniques, and reference materials. In the next session, I’ll take you on a virtual field sketching expedition, putting our observation and sketching approaches into practice. Our final session will be spent exploring ways to use what we observed in the field for further development in artistic projects. Each of the three classes will use examples and techniques drawn from my work, especially from my long-term study of fire ecology. The classes will feature demonstrations of tools and supplies along with live drawing demonstrations for you to follow along. At the end of each session, there will be time to ask questions and to share your work and insights. These workshops are intended for a broad range of experience with drawing in the field. We will discuss all the basics that a beginner needs to know to get started, but all techniques will include new ways of looking and engaging with nature, and new ways of getting the most out of your drawing tools.

A Guide to Sketching in the Field

A Field Journal Sketching Experience with Robin Carlson

Part 1: Preparing for Field Sketching – Monday, October 28, 2024 – 7 to 8:30pm (Eastern)

Location: Online via Zoom

Cost: $30 per session

The daVinci Pursuit is pleased to welcome illustrator and author Robin Carlson to our first series of online workshops about sketching in the field. In this series of three workshops, we will combine drawing, painting, and natural science. The classes will weave scientific knowledge into accessible and engaging instruction, where students actively create stories in their own artwork.

Part 1: Preparing for Field Sketching

Let’s get started! This session will be full of ideas about how to prepare for a field trip. I will describe and show field sketching supply options, including sketchbooks, pens, pencils (graphite and colored), paints, and brushes. I will also describe other useful tools for field observation, and the ins and outs of having lots of supplies on hand or traveling minimally. The session will also focus on reference materials that are helpful before and during a trip, and how to prepare to visit a new location and have an idea about the habitat before you go. I’ll demonstrate my favorite references, both on paper and digital. Throughout the workshop, we will draw together, testing art supplies and demonstrating tools and techniques. The examples will be based on my study of fire ecology in a nearby nature reserve. I’ll describe and demonstrate how I prepared tools and supplies for my visits, how I conducted research into local species, and how I formulated questions and goals to guide my explorations.

About Robin

Robin Lee Carlson is a natural science illustrator and the author of The Cold Canyon Fire Journals. She builds careful observations of the natural world into deeper commentary on ecology and climate change, and her work centers on field sketching ecoreportage, living documentation of the ever-accelerating transformation of ecosystems by human activity. Her work has also appeared in The Common, the literary journal of Amherst College, and in Arnoldia, the magazine of the Harvard University Arboretum. She teaches online and in-person workshops that combine drawing, painting, and natural history.

Robin is one of the 2024 recipients of the Fireline Fellowship, part of the Long-Term Ecological Reflections Program in the H.J. Andrews Experimental Forest in Oregon.

https://robinleecarlson.com/
https://www.instagram.com/anthropocenesketchbook/

Made possible through the generous support of the Allen Whitehill Clowes Charitiable Foundation

December 13, 2024: What is Wrong with Science?

December 13, 2024: What is Wrong with Science?

Friday, December 13, 2024 1 to 2pm est

daVinci Art Science Roundtable –

What is Wrong with Science?

daVinci Art Science Roundtable

The daVinci art science roundtables are a facilitated monthly series of exploratory discussions for artists and scientists to talk about the culture of their two fields and how they might collaborate more meaningfully. Ultimately, the discussions also explore how collaborations intersect with public understanding of science. The roundtables began with the basic assumptions that discussion between the artists and scientists had the potential to create new knowledge and ideas that would be of interest to the participants and eventually to the public as well. Inspiration and observation are key components of the creative processes of both artists and scientists. Criticism is an essential part of science as a process for narrowing down possible answers to essential questions. Dr. Randy Schekman, a Nobel Prize winner challenges us with the idea that Scientific Journals improve science. Join us for this free event on Friday, December 13, 2024, from 1pm to 2pm EST.

November 8, 2024: Play as a Spark for Scientific Inquiry

November 8, 2024: Play as a Spark for Scientific Inquiry

Friday, November 8, 2024 1 to 2pm est

daVinci Art Science Roundtable –

Play as a Spark for Scientific Inquiry

daVinci Art Science Roundtable

The daVinci art science roundtables are a facilitated monthly series of exploratory discussions for artists and scientists to talk about the culture of their two fields and how they might collaborate more meaningfully. Ultimately, the discussions also explore how collaborations intersect with public understanding of science. The roundtables began with the basic assumptions that discussion between the artists and scientists had the potential to create new knowledge and ideas that would be of interest to the participants and eventually to the public as well. Inspiration and observation are key components of the creative processes of both artists and scientists. Can playing with ideas create new connections and ignite new pathways of discovery and innovation? We will explore the ideas through an NIH Journal Article on why hybrid approaches matter. Join us for this free event on Friday, November 8, 2024, from 1pm to 2pm EST.

October 11, 2024: Engaging Scientists Through the Art of Poetry

October 11, 2024: Engaging Scientists Through the Art of Poetry

Friday, October 11, 2024 1 to 2pm est

daVinci Art Science Roundtable –

Engaging Scientists Through the Art of Poetry

daVinci Art Science Roundtable

The daVinci art science roundtables are a facilitated monthly series of exploratory discussions for artists and scientists to talk about the culture of their two fields and how they might collaborate more meaningfully. Ultimately, the discussions also explore how collaborations intersect with public understanding of science. The roundtables began with the basic assumptions that discussion between the artists and scientists had the potential to create new knowledge and ideas that would be of interest to the participants and eventually to the public as well. In this special daVinci Art Science Roundtable, we will learn from three poets how to create poetry that speaks to scientific ideas and concepts in new ways. Come explore with us the amazing ways in which the art of poetry can engage us in a deeper exploration of science. Join us for this free event on Friday, October 11, 2024, from 1pm to 2pm EST.

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